To be able to buy the documentary he(she) visits the web page of the publishing house Pamiela and you will be able to pay by means of contrarembolso or credit card. Sending(parcel) by post ordinary or urgent messenger company

And that well we spend(pass) it to ourselves!

The holiday(party) that we did in the Onki Xin was the enjoyed one, we were lucky to be able to be with a friends’ heap that they extracted time to be with us in one so special day.

The goblins attacked our projector but nonetheless(though) the pintxos flew to an amazing speed and the groups were juicy.

Soon we wait to present it in other sites(places) and Iñaki Sagredo realizes chats in different forums. While the DVD already this coming to the bookshops.

On the other hand they have begun the presentations of the DVD and Irun and Maule will be the first sites(places) where we present the DVD. Soon we will do a holiday(party) of presentation in Pamplona to which estaís all guests.

These are the sensations that we are having these days. Lack(mistake) of time, you fight against the computer science, to coordinate the teamwork, our lack(mistake) of experience they are enemy that are offering hard battle.

While we work the edition of the documentary other tasks arise without possibility of delaying the work of design of the leaflet and the mask of the documentary, the negotiations for the duplicate of the DVDs or the promotion … thousand tasks in our ill-treated neurons.

On the other hand to possess(to rely on) “anxious” and ” slightly busy ” people implies that the stress increases since Iñaki Sagredo finalizes the launch(throwing) of the volume IV of the Collection ” Navarre Castles that defended the Kingdom ” and has just thrown(launched) the map of the castles of Navarre that one is going to present on December 3; Mikel Santakiteria is “painting” the pages of the magazine Nabarra, Rubén Marcilla is employed at a documentary project on the history of Berriozar and Gurutz Cilveti has realized for the company Nabarralde the design and layout of Mikel Sorauren’s book ” Fueros and Carlistada “.

Regardless also we enjoy this moment though we can manage to deny it.

The map of the castles of Navarre that one is going to present on December 3 is the result of many years of investigation(research) that gave place to the publication of the books: Navarre. Castles that defended the kingdom.

To expose this work in a map is a complicated labor since it has been realized on aged parchment and using medieval engravings: castles, figures and letters that have been extracted of the documents medieval and placed in the map to set the work.

THE drawing of the castle is realized by a notary in the 14th century. Everything makes his(her,your) sense and one seeks to imitate a plane like it a man had realized of then.

With the map and of a stroke of the pen, we announce the extension of the old kingdom, of the effort to defend it with so much(many) castle and understanding the importance of the strengths(fortresses) for the Navarrese ones.An alone vision will take us to places like the coasts of Cantabria, Biscay, Gipuzkoa, There was Ploughing, Rioja, Bureba, Merindades of Burgos, Sobrarbe, Aragon, Ribagorza, It(He,She) lowers Navarre, Bearne, etc.

Espero que sea el agrado de todos y que se anime la gente a adquirirlo para que los medios como los periódicos, sigan apostando por la historia de Navarra como reclamo histórico cultural y con posibilidades de exposición.

www.noticiasdenavarra.com

Nabarralde

For Durango Iñaki’s Fair Sagredo it (I have, she) is edited to documentary in DVD concerning (around) the history of Navarre, based on the work of investigation (research) that it (I have, she) is developed for years on the of Navarre castles, the defensive system of the Basque kingdom.

- Of what it(he,she) tells the history do they count(tell) the castles of Navarre?
The documentary crosses great part(report) of Vasconia/Navarra’s history across his(her,your) castles. It is something not known from a documentary. The defense of the people(village) vascón from his(her,your) origins, which it was later a so called Kingdom of Pamplona and Navarre, to protect a common people(village) that it was including far beyond of what today it(he,she) is known by Euskalherria. Always we put as example the silhouette of the map of the castles, his(her,your) borders; then, we place the map of the Basque toponymy and it(he,she) coincides to the perfection. An immense territory that was coming from the southern part of Cantabria up to Ribagorza, where the Basque toponymy has almost 50 % of toponyms with Basque root. Being like that, we can think that one of the principal keys would be her(it) of formulating the following questions: The kings vascones were conscious that this territory that was including from Cantabria Ribagorza was forming a part of a cultural and ancient entity and for this reason the great kingdom arose pirenaico? For what reason, unlike other kingdoms, do they never be beyond these territories Basque speakers in his(her,your) conquest?

What does offer the documentary to the spectator? An investigation(research), a didactic vision, a statement of the past, a movie …?

The documentary ” The defense of the vascones ” is realized from a different perspective. We have sought to report but first of all to realize a historical work, trying to move with the help of images to the places that we sense beforehand. They are not cold, panoramic images and without movement, but we look for the first planes, images in the perfect hours to create this climate that we need(specify) in every paragraph of the script. If we are employed at Iruña, The stone will be looked and with the music the necessary imagination that he(she) accompanies together with the script on the visualization that we need(specify). Evidently this idea moves away from the typical documentary historical work, but it(he,she) makes possible that the one that sees the documentary imagines and feels what we are describing.

- With what idea have you developed this project?
The principal idea is it of marrying to the light a work that, though it(he,she) appears in the books of the castles (Navarre. Castles that defended the kingdom), here he(she) adopts another format in the one that, since I have said, my I had liked that they had explained our history to me; feeling every phrase of our past. If we speak of vascones, nobody understands(includes) well these delimitings, how this kingdom arose pirenaico from the 11th century, etc. In end(purpose), it is a different way of answering to these questions, but thrilling at the same time.

- What current importance has a medieval study centred on the Middle Ages?
Possibly it is the darkest epoch of the history, more unknown but also the one that more interest provokes.

For example, recently, the technical personnel of the general file of Navarre, did a study to know that type of documentation was most requested and with difference it was the medieval one. It is something palpable. They want to know all of Navarre and his(her,your) independent past. to the Diary of Navarre it(he,she) echoes this worry(restlessness) and works publications on history of the kings of Navarre and other medieval topics with the danger that carries it for his(her,your) ideology, but it is something that the Navarrese ones need(specify) and cannot refuse. It is possible that this worry(restlessness) reflects in the line of his(her,your) current politics(policy).

- What collaborators have you had in this project? Those who have taken part in his(her,your) production?
The work arose from the publishing house Pamiela to reinforce the last book of the collection. Navarre. Castles that defended the kingdom. But as we were employed at the project, we feel the need to give him(her) an impulse with major extent. It was the suitable idea to make something different. The project has been realized by Gurutz Cilbeti, Mikel Santakiteria and Ruben Marcilla, the voices have been contributed by the journalists Pagola and Gaizka Aranguren for the version in Basque, The music is chargeable in his(her,your) immense majority with the composer Englishman(English) Richard Edwars y Ortzadar. I finally have realized the script and have advised in some thing, but all the work has been taken by my companions.

- Have you more projects of this style in perspective?
In these moments we are expectant to the critiques to this work. To know if we manage to come to what we propose, if there is good critique, if there take place(are produced) the sales that support other works, etc. At a future it would perform good to continue insisting on this format and on this perspective flatly shortly, intimate scene and surrounding music. Possibly the work is tried to take as project for the ETB but still lacking to make concrete some things and to do editions in Frenchman and Englishman(English).

In these moments, with the work of the finished DVD, the goal from the publishing house is to extract for Durango the book of the history of Amaiur’s castle, with a great quantity of unpublished information taken from different state and European files, which explain the life of the mythical strength(fortress) from the times of Rome up to the 19th century and the last book of the collection Navarre. Castles that defended the kingdom 4 º Or last volume that will go out to the light in February, 2009. In a future we are opened that arise more projects.

If there is something that it(he,she) marks to develop of this documentary it is the teamwork; opposite to whom they see impossibly to relate and to be learned of other persons, we bet for learning of whom already it(he,she) knows, see as quality to know that we do not know anything.

For it we have called to many doors in search of help … Richard Edwars y Ortzadar taldea we surprised them with his(her,your) music, Rubén Marcilla has been the revelation of this documentary, contributing professionalism and a capacity of work that has exceeded us, the publishing house Pamiela continues accepting the calls and a heap of anonymous persons and groups have offered us collaboration.

A fundamental this contribution being Aitor Ortiz’s work of Philip, person in charge of the studies LFO. We knew Aitor since(as,like) it(he,she) has to happen(pass) in Iruña … the brother of a friend has a study and is very good, etc. The truth is that if it(he) is very good and thanks to we have possessed(relied on) an expert in sound.

Of his(her,your) hands and ears(hearing) there will go out the setting, the effects of sound, the treatment of the phrase and everything thanks to his(her,your) absolute availability, it(he,she) has could believe in us and has opened us the doors of his(her,your) house the studies LFO in Iturrama (Iruñea-Pamplona).

Located in the N º 5 of Iturrama’s neighborhood the studies LFO have a small room of recording, great acoustic and technological quality, as well as an equipment(equipping) of high range for the accomplishment of video and FX.

Thank you very much Aitor

The one who was going to say to us when we begin this project, that of sweats that ibamos to having to expel to come to good port. But already decia the song appeared first in Spike Lee’s movie ” Do what you should ” and later versioneada to the Basque for the mythical group Negu Gorriak on his(her,your) disc Gure jarrera … ” Horrelakoa give bizitza/egin zazu behar duzuna / … “ and since(as,like) we see necessary to extract forward this project, that remedy on that to put

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